Today we’re talking with 17 year old filmmaker Ethan Paisley. Hailing from the North Bay, Ethan is here to discuss his new sci-fi short film Indelible about a war veteran who returns home with PTSD and must deal with adapting back to civilian life. Indelible has been playing at a number of film festivals across the country and Ethan has some great insights to share about his personal approach to storytelling and filmmaking. Listen to the interview below.
Oakland-based filmmaker Alrik Bursell just released his new short film Brother at the Oakland International Film Festival. It’s about a lying cheating boyfriend who gets in trouble when his girlfriend’s brother comes to visit.
Time: 10 minutes
Parental Guide: Rated “R” for language, sexual images, and gore
Undoubtedly one of Brother‘s key strengths is its excellent cast. Each of the three lead actors bring a strong sense of character and personality to their role. David O’Donnell’s Australian loser boyfriend carries the right amount of sleaze and smug egotism. Dezi Soley plays a believable and seemingly innocent woman who thinks she’s found true love. And last but not least, Capone Lee is captivating as Lou, the overly protective brother who harbors dark impulses underneath his rapidly shrinking composure.
In one scene O’Donnell lounges on the couch playing video games on an impossibly large TV mounted on the wall. The television fills the center of the frame and remains there, glowing in the background even as things, well, escalate. It’s a simple visual reminder that yes, this character is a lazy moron more interested in playing games who doesn’t see how deeply undeserving he is of his woman.
Horror is a punitive genre. We know from the outset that the loser boyfriend can be no match for Lou’s intimidating physical presence. The eventual scene of punishment is brutal and surprising, transporting us from the realm of realism straight over the edge into the stuff of nightmares. Oh yeah, and the special effects aren’t half bad either.
The opening shot (which appears to be filmed at the always beautiful Lake Merritt) helps establish this as a distinctly Oakland-based story. This is reinforced by the interiors which convey the unique charm of the East Bay’s cosy older buildings. There is something powerful about watching a film shot in your backyard rather than a generic LA stand in. I’m reminded of the show Parenthood, which takes place in Berkeley yet features huge spacious houses and evokes none of the feel of the actual Bay Area. It’s great to see places you know and recognize up on screen.
Congratulations to Alrik and his collaborators for creating another spooky little gem. From all appearances, he’s quite ready to make his feature debut with The Alternate. I can’t wait.